4/30/2023 0 Comments One man band 11![]() An inquiry was launched and the story made headlines across Canada. He would claim officers dragged him from his car by the hair and beat him with a flashlight. In January 1984, Soccio was involved with some kind of altercation with Montreal police. “I’d been criticized for being too Black: ‘It’s too Black, it’ll never work.’ Well, you can never be too Black.” In 1982, Soccio released Face to Face, a robotic funk record that flirted with hi-NRG and yielded the hit “It’s Alright.” It was his most accomplished work so far, but what he says in an interview with the Montreal Gazette during the album’s promotion is telling: “It gets to me after a while, this constant pressure of wondering whether the record will take off, or whether the royalties will come in on time.” Personal cracks were beginning to show. It also crossed over to Black audiences, climbing as far as number twenty-two on the R&B chart-an achievement Soccio said is a crowning moment in his career. Labels-a move that would land him greater exposure but also one that would eventually sow the seeds of his professional downfall. As Soccio was in Muscle Shoals, his full-length record was being shopped to U.S. Peter Alves, a Canadian studio veteran hired to coproduce, says the Muscle Shoals sessions were fruitful but also daunting, given that legendary artists from the Stones to Aretha had cut at the studio: “And here we are, a couple of bozos from Canada!” Witch Queen was a one-off, but it gave Soccio connections to Black musicians from the South and exposed him to real American R&B, two touchstones he would revisit throughout his career. A few months later, with his debut album still doing the demo rounds in Canada, Soccio was recruited to produce a project called Witch Queen, with sessions in Muscle Shoals, Alabama. Typical of his approach was the song called “Dancer,” written and recorded as a four-minute tune but later doubled in length through mix-downs, re-edits, and loops. “On my ten-speed bike, I’d shoot down to the studio and record for five or six hours until the cleaning lady came in.” The sessions were marked by heavy use of synths and grease-pencil-meets-razor-blade tape editing. Studying philosophy at the University of Montreal, Soccio earned his living as a session man, and in 1975, he got a call from a local producer named Pat Deserio who was putting together a “disco” record. Switched on to electronics by Kraftwerk, Stockhausen, and Wendy Carlos in the early ’70s, he started renting synths and earned a reputation as one of Montreal’s best keyboard specialists. Born in September 1955, Soccio started playing piano at age eight and was playing Bach sonatas by eleven. ![]() ![]() He’s agreed to his first interview in two decades, but only if personal details and information about his current life remain hidden. There are hints he uses an assumed name, as he says cryptically, “I’ve put Gino Soccio behind me.” A week after that first conversation, Soccio is back on the phone, talking about his unlikely entry into disco. In an age when many musicians retire just to come back again, and others fight to stay in the spotlight, Soccio is an anomaly: He no longer makes music. These infections might corrupt your computer installation or breach your privacy. Download links are directly from our mirrors or publisher's website, One Man Band for OSX 11.0 torrent files or shared files from free file sharing and free upload services, including One Man Band for OSX 11.0 Rapidshare, MegaUpload, HellShare, HotFile, FileServe, YouSendIt, SendSpace, DepositFiles, Letitbit, MailBigFile, DropSend, MediaMax, LeapFile, zUpload, MyOtherDrive, DivShare or MediaFire, are not allowed! Your computer will be at risk getting infected with spyware, adware, viruses, worms, trojan horses, dialers, etc while you are searching and browsing these illegal sites which distribute a so called keygen, key generator, pirate key, serial number, warez full version or crack for One Man Band for OSX 11.0. Using warez version, crack, warez passwords, patches, serial numbers, registration codes, key generator, pirate key, keymaker or keygen for One Man Band for OSX 11.0 license key is illegal and prevent future development of One Man Band for OSX 11.0. Top 4 Download periodically updates software information of One Man Band for OSX 11.0 full version from the publisher, but some information may be slightly out-of-date. ![]()
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